“6 9 5” brings to life the decades-long struggle and emotive journey towards the Ram Mandir in Ayodhya. Director Rajneesh Berry ambitiously tackles this politically and religiously charged chapter of India’s history. However, the film falls short as an immersive drama despite some standout performances.
The story follows a Hindu religious leader Guruji (Arun Govil) who dreams of Lord Ram demanding a temple be built on the disputed Babri Masjid site. This sets off a chain of events – communal tensions, the Ram Janmabhoomi movement, the eventual demolition of Babri Masjid, and the protracted legal battle.
Veteran actors like Govil, Manoj Joshi and Mukesh Tiwari deliver nuanced performances, adding emotional heft to the film. The screenplay builds some genuinely moving moments, like the Kar Seva aftermath. Govind Namdeo as the resolute movement leader and Ashok Samarth as Guruji’s steadfast disciple are commendable. However, most characters are one-dimensional. The Muslim perspectives lack depth, often portrayed as instigators.
The film sticks to the popular narrative around the Ram Mandir movement while skirting around the more contentious aspects. The cinematography effectively captures the growing scale of protests but relies on standard shots of crowds and sloganeering. While the soundtrack attempts to evoke devotion, the overall direction fails to recreate the simmering tensions and energy on ground.
Some crucial events like the tragic demolition and its violent aftermath are glossed over rather than explored meaningfully. The legal resolution feels rushed. For such an expansive chronicle, deeper insights into key decisions and interpersonal conflicts would have been welcome. The focus remains on heroizing a few personalities.
As a historical drama, “6 9 5” has its heart in the right place but lacks nuance. The film works best as a personal story of unwavering faith and struggle. Some thoughtful dialogue explore religious devotion and duty. The title itself signifies the journey from contention to resolution. While it celebrates the Ram Mandir victory, the film misses making an impactful statement on reconciliation.
The talent involved delivers earnest performances but cannot rescue the weak writing and direction. Beyond the devout, it may appeal to those unfamiliar with the intricate details around the Ram Janmabhoomi issue. However, those seeking a thought-provoking, balanced chronicle will be left wanting more. ‘6 9 5’ has its poignant moments but remains a sanitized, populist depiction of a divisive yet defining episode in India’s political and religious psyche.
